Category: Calling Citizen Writers and Poets

Calling citizen writers and poets. It’s time to re-evaluate the Classics. Many of the authors of the American Classics, as well as their foreign critics, were ‘aristocrats of the spirit’, as Harold Kaplan called them. Some of them had aristocratic ancestors and felt at home in European society. Most of them mistrusted democracy. It is time to re-examine their writings in this light, preferably with the help of knowledgeable sources such as Kaplan and his book Democratic Humanism and American Literature.

  • Stoom: the universal comedy of James Joyce

    Stoom: the universal comedy of James Joyce

    This entry is part 5 of 5 in the series Modern Literature

    The title Harold Kaplan gives to the first section of his critique of James Joyce is Stoom: the universal comedy of James Joyce. As we have seen with Gustave Flaubert, this brand of comedy is as serious as it gets.

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  • The Historical Context of Modern Literature 1789-1914

    This entry is part 4 of 5 in the series Modern Literature

    As I studied James Joyce to prepare for the next chapter of Harold Kaplan’s book, I realized that I need to at least mention the historical context of modern literature. This background is not included in The Passive Voice. Kaplan probably assumed his readers would be familiar with it, but the missing political and social history was crucial for my own understanding. I suspect its importance will become more clear as we continue with this study.

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  • The Spirit of Comedy Without Humor

    This entry is part 3 of 5 in the series Modern Literature

    Harold Kaplan entitled his essay on Madame Bovary ‘the seriousness of comedy’. In his view, and that of other literary critics cited by him, this work is a ‘special form of dry comedy’ in that it stresses the conflict between feeling agent and unfeeling object. Its effect is the spirit of comedy without humor.

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  • Modernism’s Contempt for the Human Intellect

    This entry is part 2 of 5 in the series Modern Literature

    The skeptical mode is the source of modernism’s contempt for the human intellect. Or maybe it’s better to say modernism’s contempt for the human’s ability to know anything. Harold Kaplan1 says we have come to believe this mode is the strongest trait of an enlightened modern consciousness. Metaphysics might seem to be the focus of this skepticism, but its focus is primarily the ordinary human consciousness.

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  • The Crisis of Knowledge

    This entry is part 1 of 5 in the series Modern Literature

    In this series, I want to share my thoughts about Harold Kaplan’s book, The Passive Voice1. Kaplan deals with several related literary topics, but they all arise from the crisis of knowledge in modern intellectual history. I have some doubts about my part in this endeavor, which I’ll state briefly in this introduction to the series.

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  • American Classics and the Poetry of Democracy

    Harold Kaplan said ‘humanist aspirations’ are the dominant American intellectual tradition. 1 But an abstract notion of democratic humanism is only part of the story. Kaplan explains democratic humanism in the context of writers of the American classics: Emerson, Thoreau, Cooper, Poe, D. H. Lawrence, Hawthorne, Melville, Whitman, Twain, and Henry James. They composed the American classics and the poetry of democracy, and in their works we see hints of the strange continent that confronted them. (more…)

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